History Painted in Place: Detroit Murals Map and Guide

Just weeks after Detroit was named #4 in the United States for the creation of beautiful murals, the city’s Office of Arts, Culture and Entrepreneurship (ACE) took on the task of putting the city at number one. To accomplish this, in 2022 the city launched a mural map and app to identify every mural and artist in the city, based on hundreds of curated murals and biographies of artists.

This initiative builds on a rich legacy of mural art in Detroit.  Mural art has left its mark as far back to the early 1930s, capturing almost 100 years of history in Detroit. As the city struggled through the transition of the Great Depression, the prominent Mexican painter and muralist Diego Rivera was commissioned by the Detroit Institute of Arts (DIA) to capture the energy of Detroit’s distinctive automotive, steel, and other industries. Often considered to be the most complex artworks devoted to American Industry, Rivera’s “Detroit Industry” murals depict the city’s manufacturing base and labor force on 27 panels, spanning all four walls of the DIA’s Diego Court.

Grand in scope and scale, the paintings celebrate Detroit’s auto factories and depict men of all races side by side on an assembly line. Rivera’s technique for painting frescoes, his portrayal of American life on public buildings, and the 1920s Mexican Mural Movement led to and influenced the New Deal mural programs of the 1930s and 1940s, in addition to the future generation of artists in the city.

The main two panels of his series draw inspiration from Ford’s River Rouge Plant, where Rivera toured and sketched for months before creating large-scale tributes to their workers along with a blend of critique and celebration of the forces of industry. He also blended ancient Aztec symbolism into his modernist treatment, creating allegorical figures to portray the complex relationship of human and machine.

The Detroit Institute of Arts’ Research Library, Archives, and Collection Information department holds the digitization of a collection of existing 8 x 10-inch (large format) nitrate photo negatives, which were taken in 1932–33 to document the making of Diego Rivera’s “Detroit Industry” murals. Their digitization preserves the history of the murals and makes the images accessible to the public. In addition, the film that Ford Motor Company’s team made of the artist at work is now accessible on the National Archives website.

Hubert Massey is a contemporary muralist whose work is inspired by 1960s- and ’70s-era activism and the art of Diego Rivera, having studied with former Rivera apprentices Stephen Dimitroff and Lucienne Bloch. In 2020, Massey worked with twenty Detroit teens to create a street mural in the Lower Woodward neighborhood, celebrating the phrase “Power to the People” and the Black Lives Matter movement spreading worldwide.

Massey works in the fresco technique and is the only known African American commissioned fresco artist in America. He has also produced work in the mediums of mosaic, terrazzo, sculpture, stained glass, and other material. You can find his work across Detroit’s Mexicantown, Greektown, the Cultural Center, the Charles H. Wright Museum of African American History, and the Detroit Athletic Club, among other places.

Sydney G. James is another Detroit artist who has contributed large-scale work to the city. A Black figurative painter and public art muralist, she pays homage to the city and emphasizes the deep connection between her art and Detroit, highlighting how murals serve as vibrant expressions of identity and community. Her work not only beautifies the urban landscape but also tells the stories of the people and the place that inspire her.

One of her most notable works is “Girl with the D Earring,” an 8,000 square-foot painting of a Black woman, on Grand Boulevard from Woodward Avenue into Milwaukee Junction. This work re-envisions Dutch artist Johannes Vermeer’s “Girl with a Pearl Earring.” “It’s one woman,” James told Hour Detroit. “But she represents Detroit in general. ‘Girl with the D Earring’ is a celebration of the city and a celebration of its people.”

Musician and visual artist, Sheefy McFly’s “Detroit Never Left” mural, located at Gratiot and Chene near Detroit’s Historic Eastern Market, is a nod to the idea of Detroit having a “resurgence.” The painting depicts a party full of Detroiters: a man jitting—a dance style that was born in Detroit–with a woman twerking (a dance move perfected in New Orleans in the 1990s, with origins in West African dance), a radio, and a Black man wearing a Cartier watch and a blue “D” hat, exuding an authentic Detroit. McFly told The Michigan Chronicle that “anyone from Detroit that walks by can identify with the mural.” His style blends Neo-Expressionism and Pop Art with a Detroit twist that reflects the cultural and social dynamics of Detroit, capturing the city’s spirit and history.

Public art is a form of creative place making, which further deepens connection with places where we live, work, and play.

The vibrant murals of Detroit are more than just artistic expressions; they are a testament to the city’s rich history, diverse culture, and dynamic geography. By intertwining art with public spaces, the city’s murals not only beautify the landscape but also celebrate the unique cultural tapestry that defines this iconic American city.

Explore Detroit’s murals in the city’s interactive map. Filter by year, artist, name, or location.