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Featuring full length scholarly articles, as well as shorter creative pieces that cross over between the academy and creative practice, this journal is published twice a year. Articles span conceptual and methodological debates in geography and the humanities; critical reflections on analog and digital artistic productions; and new scholarly interactions occurring at the intersections of geography and multiple humanities disciplines. It began in 2015 presenting a new opportunity for publishing interdisciplinary scholarship.
Impact Factor: 1.1, ranking 88th out of 173 geography journals worldwide
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- The Cry of Coastal Shores
- A Line of Flight Through Yi-Fu Tuan
- (Re)Composing Multivocal Climate Justice Through Poetic Inquiry
- Binaries and Tuan’s Humanism: The Challenge of Neo-Gnosticism
- Flourishing with Grace
- “Sappho the Eresia:” Place-Making Through Graffiti and Sculpture in Skala Eresos
- Reimagining Waste: Adam Saeed’s “Contexts to Flurry” and the Aesthetics of Sustainability
- From Environments to Infrastructures of Survival: The Case of the Northern Bald Ibis
- Slow Ontologies and Letting Be: Insights from Island Academics, Activists, and Artists
- Yi-Fu Tuan’s Dominance and Affection: Placing Pets, Power, and Posthumanism in Animal Geographies
- The Geography of Love: A Study in GeoHumanities Through Exploring Diaspora and Nostalgia in Syrian Shops’ Names in the City of Irbid/Jordan
- Spatial Autocorrelation Is Everywhere—Even in Poetry
- Letters to My Sze-Fu: A Geopoetic Reflection on Being Yi-Fu Tuan
- Geographies of the Good Life: Tuan, Adorno, and Curious Affinities
- Enacting Sediment: Shifting Human-Sand Relations in a Coastal Community
- Introduction: Yi-Fu Tuan and the Expanding Cosmos of Human Geography
- A Shifty Island, or How We Learned to Stop Worrying About Mosquitoes and Love Partial Knowledge
- Memory and Repair: Reclaiming and Embodying a Black Sense of Place Through Socially Engaged Art (SEA)
- Reimagining the Rural Idyll: Socio-Economic Transformations and the Cultural Construction of Countryside Imaginaries over Time
- Street (Re)Naming Practices and Spatial Ethnolinguistic Contact: A Longitudinal Study in Timișoara, Romania
- Façade Colors and the Transformation of Urban Landscapes: A Case Study of Tourism Gentrification in the Neighborhood of Mouraria, Lisbon
- Navigating Narratives: The Student Perspective in Using Google Earth to Explore the Intersections of Story and Spatiality
- Staging Affect: Exploring Resonance and Theatricality at the Museum of Broken Relationships
- Lively and Unstable Implosions: (Re)Productive Objects as Experiments in Ad-Hoc Archives
- Volcanoes as Relational Entities in the Poetry of Gabriela Mistral
- Music After Volcanic Eruptions: Geopoetics, Emotional Geographies, and the More-than-Human in Volcano Songs
- The Poem, a Smile, and Black Feminist Placemaking
- Publishing a Sanborn Map Service in 2025
- Beyond Temporariness: The Generational Transformation of Kosovo Albanian Migrants in Germany and Switzerland
- Making Comics for Critical Historical Geographies: Mothers’ Letters to the U.S. Children’s Bureau in the 1910s and 1920s
- Waste as a Necropolitical Tool in the Slum Ecology of Latife Tekin’s Berji Kristin: Tales from the Garbage Hills
- Quarry Sonnets: Artistic Methodologies in More-than-Human Reasoning
- Hydrosemiotic Entanglements in the (Sub-)Arctic: Scores from the Wetness Field
- Frogging the Waterfront: The Role of Artistic Ritual in Built Environment Climate Adaptation
- “A Place in This World”: Critical Placemaking and Identity Formation at Taylor Swift’s Eras Tour
- Connected or Isolated? Mobility, Railways, and the Perception of Place in Nineteenth-Century Travel Accounts
- Shadows, Light, and Colour: The Shifting Aesthetics of an Everyday Space
- The Cosmic-City: Art, Forest Citizenship, and Transpecific Alliances Beyond Western Citizenship
- Positioning Solastalgia Within Indigenous Geographies
- Rivers, Forests, and Mountains: Understanding Human Geography Through Postcolonial Ecospatial Reading of Ankush Saikia’s The Forest Beneath the Mountains
- Sangam Kurinji Landscape: A Geocritical Approach to Layered Representations of Palani Hills in Literature, History, Myths and Narratives
- The Affective and Behavioral Functions of Place Attachment in Early Modern Nepali Short Stories
- Kochi-Muziris Biennale: Decolonization Through “Slow Memory”
- A Revisit by Bus, Foot, & Armchair: On the Fading Practices of the Vernacular Mapping of American Cities
- Towards Cartographic Design Pluralism: Centering Non-Latin Typographic Practices in Digital Mapping
- Puerto Rican Sporters as Ecotonal Nodes of Connection and Justice
- Mapping History, Cartographic Pedagogy, and the Problem of the Basemap
- Socioeconomic Impacts of Coastal Reclamation Activities on the Fisheries Community in Penang, Peninsular Malaysia
- Towels, Tanks, and Sustainability: Activism–Business Relations on Two Mediterranean Islands
Articles can be submitted to GeoHumanities for review at any time. All manuscripts should be submitted electronically via the ScholarOne Manuscripts portal and will be subject to peer-review.
- Regular Manuscripts—full length scholarly articles that span conceptual and methodological debates in geography and the humanities; critical reflections on analog and digital artistic productions; and new scholarly interactions occurring at the intersections of geography and multiple humanities disciplines. Articles should be a maximum of 8,000 words, including abstract, references, notes, tables, and figure captions.
- Practices and Curations—shorter creative pieces that cross over between the academy and creative practice. Practices and Curations should be a maximum of 4,000 words, including abstract, references, notes, tables, and figure captions.
- Special Issues—Special Issues are curated by Editors and include a collection of manuscripts on a focused topic. Two types of manuscripts are published: Regular Manuscripts of approximately 4,000 words and Practices and Curations of approximately 2,000 words. Abstracts of potential manuscripts will be solicited via an open call and are by invitation only, led by a GeoHumanities Editor, and based on the evaluation of the abstracts.
- Forums—Forums are a collection of short papers on a focused topic that are published together in the journal. Forums are an opportunity to showcase and advance significant intellectual insights in the discipline in a coherent and collective way. Forums consist of an introduction (2,500 words) and short individual papers (4,000 words each for Regular Manuscripts and 2,000 words each for Practices and Curations), with a maximum total word limit of 20,000. A forum is proposed by a forum organizer, and if accepted, the forum organizer works in tandem with an Editor to guide the papers through the peer review process. Forum proposals should provide a background and context, table of contents (with titles, brief abstracts, and brief biographies of contributors), timeline, and justification of the forum’s significance and relevance to the GeoHumanities audience.