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Featuring full length scholarly articles, as well as shorter creative pieces that cross over between the academy and creative practice, this journal is published twice a year. Articles span conceptual and methodological debates in geography and the humanities; critical reflections on analog and digital artistic productions; and new scholarly interactions occurring at the intersections of geography and multiple humanities disciplines. It began in 2015 presenting a new opportunity for publishing interdisciplinary scholarship.
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Read the Journal- Odds and Ends
- Suffer a Waste Change: Reading Chen Qiufan’s The Waste Tide and Wu Ming-yi’s The Man with the Compound Eyes along the Lines of Discard
- Beyond the Flâneur: Urban Walking as Peripatetic Phenomenological Pedagogy
- What Remains? Salvaging Meaning from “Dementia Friendly Communities” Using Cut-Ups and Collage
- Residual Repertoire: Black Geo-Aesthetics after the Mine
- Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK
- Disrupting Patterns at the End of an Agricultural Research Project: Experiences with Community Cinema and Participatory Video
- Identity, Language, and Landscape in Galicia, Spain
- Storying Pandemia Collectively: Sharing Plural Experiences of Interruption, Dislocation, Care, and Connection
- Opening Up Endings: Action Performance Practice
- Hostile Terrain 94, Installation, and Meditative Explorations of the US-Mexico Borderlands
- Deindustrialization Without End: Smokestacks as Postindustrial Monuments
- Tapajós
- Spectacle of Endings: In an “Endless Present”
- The Exile of Juyá: Decolonial Geonarratives of Water
- “Did You Hear? Mavericks Is Closing!” Punk Refusal of Gentrified Endings
- Reciprocity: An Ethos “More Than Human”
- Legal Pluralism on Dyarubbin: Country-as-Lore/Law in Western Sydney, Australia
- On Art and Experimentation as Geographical Practice
- What Color Is This Place?
- Wake Work: Unearthing the Legacy of Slavery at the United States’ First Publicly Chartered University
- Exploring the Affective and Spatial Politics of Choral Music Performance through Focus Groups with Singers
- Arguing With Jakob von Uexküll’s Umwelten
- Catching Colds with Canguilhem: Culturing Relations with Common Cold Viruses
- “A Songwriter’s Avalanche”: Nature and Creativity in Jason Ringenberg’s Stand Tall
- Weathering Three Storms: Experiments in an Elemental Geohumanities
- Hyper, Broken, and Artificial: How (Not) to Communicate about Climate Change
- Ballet in a Box: Iso-Ballet, Lockdown, and the Reconstruction of the Domestic Space
- Against the City: What Derek Walcott Has to Teach Us about the City Imaginary
- Plants for a Cold Cosmos: Planetary Vegetal Thresholds
- The New Anglo-Saxons: Race, Space, and the Production of a Geopolitical Discourse
- Survivability in Kidney Transfer as Becoming: Embodiment, Materiality, and Time in Kidney Failure and Transplant
Articles can be submitted to GeoHumanities for review at any time. All manuscripts should be submitted electronically via the ScholarOne Manuscripts portal and will be subject to peer-review.