Read the Journal
Latest Articles
Submit to this journal

Featuring full length scholarly articles, as well as shorter creative pieces that cross over between the academy and creative practice, this journal is published twice a year. Articles span conceptual and methodological debates in geography and the humanities; critical reflections on analog and digital artistic productions; and new scholarly interactions occurring at the intersections of geography and multiple humanities disciplines. It began in 2015 presenting a new opportunity for publishing interdisciplinary scholarship.
Read the Journal- Allegory and Articulation in Geographies of Climate Fiction
- The Trouble with Modeling the Human into the Future Climate
- Imagining Transformation: Applied Theater and the Making of Collaborative Future Scenarios
- Framing Futurities in Photovoice, Health, and Environment: How Power Is Reproduced and Challenged in Arts-Based Methods
- Musical Hydropoetics: Fluvial Inhabitings, Son Jarocho, and Anthroposcenes
- 05BH004 (1915–2019): Generation of Poetic Constraints from River Flow Data
- Art Writing and Coastal Change: Story-Telling in the Blue Economy
- Negotiating Survival Needs through Ontological In/Visibility: An Exploration of Irregular Migrants’ Lawscapes
- Transient Political Infrastructures: Toward an Atlas of the Chilean Uprising
- Toward Analog Geographies: Moving with and beyond Enclosure
- Feeling in Suspension: Waiting in COVID-19 Shopping Queues
- Sharing the Field: Reflections of More-Than-Human Field/work Encounters
- The Powers of Rivers
- Meditations on Magnolia
- Speculative Experiments for an Everyday Anthropocene
- The Spatial Awareness Project: A Co-Created Interdisciplinary Educational Film and Podcast
- Traces of Our Interregnum: Selections from an Early Pandemic Archive
- Editors’ Note of Appreciation
- Spectacle of Endings: In an “Endless Present”
- “Did You Hear? Mavericks Is Closing!” Punk Refusal of Gentrified Endings
- On Art and Experimentation as Geographical Practice
- Ballet in a Box: Iso-Ballet, Lockdown, and the Reconstruction of the Domestic Space
- What Color Is This Place?
- Reciprocity: An Ethos “More Than Human”
- Wake Work: Unearthing the Legacy of Slavery at the United States’ First Publicly Chartered University
- Legal Pluralism on Dyarubbin: Country-as-Lore/Law in Western Sydney, Australia
- Hostile Terrain 94, Installation, and Meditative Explorations of the US-Mexico Borderlands
- Residual Repertoire: Black Geo-Aesthetics after the Mine
- The Exile of Juyá: Decolonial Geonarratives of Water
- Beyond the Flâneur: Urban Walking as Peripatetic Phenomenological Pedagogy
- Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK
- What Remains? Salvaging Meaning from “Dementia Friendly Communities” Using Cut-Ups and Collage
- Storying Pandemia Collectively: Sharing Plural Experiences of Interruption, Dislocation, Care, and Connection
- Suffer a Waste Change: Reading Chen Qiufan’s The Waste Tide and Wu Ming-yi’s The Man with the Compound Eyes along the Lines of Discard
- Tapajós
- Identity, Language, and Landscape in Galicia, Spain
- Opening Up Endings: Action Performance Practice
- Disrupting Patterns at the End of an Agricultural Research Project: Experiences with Community Cinema and Participatory Video
- Odds and Ends
- Deindustrialization Without End: Smokestacks as Postindustrial Monuments
- Catching Colds with Canguilhem: Culturing Relations with Common Cold Viruses
- Survivability in Kidney Transfer as Becoming: Embodiment, Materiality, and Time in Kidney Failure and Transplant
Articles can be submitted to GeoHumanities for review at any time. All manuscripts should be submitted electronically via the ScholarOne Manuscripts portal and will be subject to peer-review.